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| First Name | Hector&Hector |
| Last Name | Hector |
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| Country | Italy |
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| Biography | |
Hector&Hector
The first adventures on the laceration of the paper as artistic phenomenon is ancient. Already the Roman delighted itself by hand with colorful parchments, still before the Fenici, Babylonian. In our age instead under the by now glorious name of the various POP art and nouveau rèalisme personages make themselves road: Raymond Hains, Arman, Cèsar, Tinguely, Jacques de the Villeglè, Klein. All have used the paper in order to model the poor art. From 1960 Mimmo begins also Small wheel that joins to the French group, even if has always declined the use of the color on The Manifest tears to you. The Apollinaire Gallery always in years sixty promotes the New Realism with new artists: Christo, Dechamps, Villeglè, Raysse, Spoerri, than join those previous ones. The great critic Pierre Rèstany drags this group of artists much all over the world transforming this shape originates them of art in great consents of public and succeeding of the critic. On the wake of these giants an other personage becomes part today much eccentric and creative, already from child in France attended the art circensa in order to paint the faces of the clown. Then from large it completes humanistic studies and its house like art work is exposed to the dadaism furnishing. One is interested of cinema and of theatre, it works with the Taviani, with Roses, Bussotti, represents the Gioconda di Ponchielli and the precious ridicules of Moliere, the bottega of the coffee of Goldoni, the Cenci di Artaud. Influenced from the cinema it begins to work The Manifest and the locandine before with the tears and the color then with the collage, are born works of great fascination. Today the works of Hector&Hector are appreciated are in Italy that to the foreign country and the quotations continues to above all go up for the difficulty of the artist in reperire the raw materials. Currently it is preparing a great cycle of collage of prosa on paper trying transforming the French poetry of the six hundred in works of contemporary art.
Hector&Hector The violence promotes in all its exposures not on the children and the abolition in all the countries of the world of the capital punishment. Let alone the peace and the torture on the animals. Abolition of the slavery and racism is politician who religious. |
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Hector&Hector
The first adventures on the laceration of the paper as artistic phenomenon is ancient. Already the Roman delighted itself by hand wit... |
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