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First Name Mauriel
Last Name Morejon
Born 1981-12-23
Country United States
Biography 

Mauriel Morejon was born in Cienfuegos, Cuba, son of Italian father , and a cuban mother, since he was a child use to sketch 
a paint almost every day as his natural activity,  Morejon by the age of 11 entered in the elemental art school Roland 
Scaldoft, where after this years of learning different techniques Morejon  created his own visual world , by 1993 entered in 
the ENA National School of Art San Alejandro in Havana Cuba, finishing his Master Degree in Trinidad ENA Cuba where he 
graduate in 1996 as a professional artist .Over the next several years Morejon continue painting and teaching art at the 
time, his first art work where displayed in the FBC a Cuban International  Gallery, he sold more than 30 art work in less than 
a year, by the age of 17 his paintings was declared National Patrimony,1999 he left his home town as a politico refuge, and 
through the IOM International Community Rescued he was placed in Phoenix Arizona USA, where in several years he 
became one of the most renowned muralist in the estate, by loving his surround and new cultures and the same time being 
admired by his public by his artwork, he named his own business : Arizona Murals LLC with more than 340 Murals around 
the Valley  and
other states.

An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise.
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